By Youmna SukkarBoston University News Service Enter Yayoi Kusama’s infinity room, “LOVE IS CALLING,” a dark, mirrored space illuminated by kaleidoscopic stalagmites and stalactites. It’s reminiscent of a cooler, younger Jeita Grotto but is housed in the Institute of Contemporary Art in Boston instead of Beirut. It’s wondrous, to say the least, and an opportunity … Continue reading Can we no longer look at walls? How our consumption of art is changing